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Critical Times 3:2

Vol. 3, No. 2 (2020)


Essays in this issue explore the violence behind contemporary spectacle and the possibilities of radical aesthetics, unsettling our understanding of regimes of the sensible in the process. Subjects range from feminist protests to the films of Felipe Cazals, from the art of Maria Eichhorn to Beckett’s Endgame. Critical encounters and aesthetic contributions provide new angles on Puerto Rico's people's assemblies, survivors of the Armenian genocide, and Goya's relevance to Brazil's political realities.



Artistic Intervention


NUNO RAMOS
Translated by Marlena Gittleman


class=Figura/figure 2. Los desastres de la guerra: Con razón o sin ella (2018). Fumaça sobre impressão em papel (smoke on printed paper).